Storytel AB (publ) (STO:STORY.B)
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Earnings Call: Q2 2023

Aug 1, 2023

Operator

Welcome to Storytel Q2 Report 2023. For the first part of the conference call, the participants will be in listen-only mode. During the questions and answer session, participants are able to ask questions by dialing star five on their telephone keypad. I will hand the conference over to the speakers, CEO Johannes Larcher, and CFO Peter Messner. Please go ahead.

Johannes Larcher
CEO, Storytel

Good morning, welcome to Storytel's Q2 report. My name is Johannes Larcher, I am the CEO of Storytel. Here with me today is Peter Messner, our newly appointed CFO. Welcome to your first quarterly report, Peter, a warm welcome to all of you joining us on this call today. Before I get to our Q2 results and highlights, please allow me to set the stage a little bit. We spent the second quarter of this year in further pursuit of our company's mission: to move the world through story. Storytel was founded on the belief that there is no more powerful thing in the world than a good story, well told.

The first stories humans ever told were conveyed verbally, and we see lots of evidence that in a world of constant sensory overload, the purest act of listening to a good story is gaining in popularity, thanks to its ability to uniquely stimulate the mind and engage the listener. That's why our company is all about audio stories, as is reflected in our name. To deliver on our mission, we are in two businesses at Storytel. We are in the business of creating stories and owning content. This is our content business, and we are in the business of bringing these stories to our listeners. This is our streaming business. Our content business consists of publishing houses like Norstedts and Gummerus, or our audio publisher, Storyside. In our streaming business, we take the great content from our publishers, as well as others, and make it available in audio format.

The Storytel app makes it easy to listen to your favorite stories anywhere, anytime, and on the device of your choice. We believe that publishing, despite the changes taking place in the industry, is a solid business that can deliver healthy margins and strong cash flow. We also believe that ownership of publishing houses can make our streaming service much stronger. The access to offers, the opportunity to tap into the submission pipeline of new works, and the ability to create original audio stories, these are just some of the valuable contributions the publishing houses can make to our streaming business. Vice versa, we believe that our ownership of streaming services can help elevate our publishing business.

Authors appreciate the opportunity to create new, original audio stories, and our ability to feature and actively promote their audiobooks on our platform and in our off-channel marketing, is an attractive proposition for those authors wanting to grow their personal brands and sales. That is why we operate both a content business and a streaming business. The combination of the two creates unique value that is bigger than the sum of its parts. Turning to our performance for the reporting period. The second quarter of 2023 saw us make steady progress in the disciplined execution of our profitable growth strategy. As a group, we delivered net sales of SEK 851 million, an increase of 11% year-over-year. This was primarily driven by strong streaming revenue growth, delivering nearly SEK 800 million, an increase of 15% year-over-year.

We also delivered our fifth consecutive quarter of EBITDA profitability at the level of 4.6% for the quarter, and showed a healthy gross profit margin of 39.1%. Our operational cash flow continued to improve and changed from -49 million SEK a year ago to only -5 million SEK in Q2 of this year. In terms of paid subscribers, we added 14,000 this quarter, for a quarterly average total of 2.06 million paid subscribers worldwide. Q2 saw the completion of the successful rollout of new packaging and pricing in the Nordics, an important step for the company in our efforts to expand the addressable market and achieve better subscriber economics.

Operationally, we launched significant new partnerships, including with leading telco A1 in Bulgaria, and held our annual Storytel Awards, which achieved their highest ever level of audience participation. We also announced an innovative partnership with ElevenLabs around text-to-speech generative artificial intelligence. Together with our new Voice Switcher product feature, this partnership, over time, will give our subscribers more choice and more control over their listening experience on Storytel and will contribute to our efforts to achieve better content economics. Lastly, we held a well-received Capital Markets Day in mid-June that laid out our plans and financial targets for the period until 2026 and contributed to increased transparency for our investor base. Our strong group net sales growth of 11% was driven to a large extent by a strong performance in the Nordic streaming segment, where revenue increased 16% year-over-year.

This growth in the Nordics was the result of our higher ARPU, which now stands at an all-time high of SEK 162 . The higher ARPU reflects the changes we made to our service packaging and the price increases we rolled out in the first half of 2023. These significant changes to our Nordic offer were well received by our subscribers and performed ahead of our internal expectations. Average paid subscribers in the Nordics were essentially flat quarter-over-quarter, and while we saw some softness on new subscriber intake in the early parts of the second quarter, we are encouraged by our acquisition momentum as we headed into the summer. We also saw healthy revenue growth in our non-Nordic segment, where revenue grew by 9%, subscriber growth accelerated, and ARPU and gross margin also developed positively.

As expected, books revenue declined year-over-year as a result of lower physical sales and certain changes in our digital distribution partnership mix. Internal books revenue increased by 36% and books gross margin increased by nearly 3%. Our books business continues to perform according to our business plan. In streaming, we extended positive trends in all major metrics. Perhaps most importantly, despite continued macroeconomic challenges placing pressure on consumers and other D2C streaming players facing difficulty, we see the favorable trend in our churn metric continue. This is remarkable, especially in our Nordic segment, where in Q2, we completed the rollout of new service tiers and increased prices meaningfully, applies also to our non-Nordic segment. ARPU increased in both the Nordic and non-Nordic segment, our paid subscriber base increased by 14,000 for the quarter.

While Nordic subscriber, new subscriber intake was somewhat soft in Q2, we are encouraged by our trend line in the later part of Q2 and the early momentum we see in Q3. I am pleased by these results. They represent steady progress, step by step, on the disciplined implementation of our profitable growth strategy, and show that our steps to improve marketing efficiency, life cycle management, product positioning and pricing, as well as content differentiation, are starting to have a positive effect. I'm now going to hand over to Peter for a deeper dive into our financial results.

Peter Messner
CFO, Storytel

Thank you very much, Johannes. I'm very happy and excited having joined Storytel recently as CFO, and to walk through some further details on the group's financial results and improved performance. The net sales of the group grew by 9% year-on-year or 11% like for like, when excluding Russia, to SEK 851 million. As Johannes outlined just before, the growth was driven by the solid performance in the streaming segment, which was up 15% year-on-year. Gross profit likewise grew by 15% as compared to the second quarter last year, to SEK 333 million, and they represented a gross profit margin of 39%, which is an almost two percentage points improvement as compared to Q2 last year.

When taking a closer look at the group's other operational cost structure, the sales and marketing expenses decreased by 18% year-on-year to SEK 219 million , due to the more focused and centralized, and hence, also more effective spending approach on the profitable core markets. Technology and development expenses decreased by 11% year-on-year to SEK 64 million . The general and administrative expenses were in line with the previous quarter and heavily changed year-on-year, which is due to the strategic shift and reorganization of last year that resulted in an increased centralization of certain functions, including the entire management team. The operating profit improved to SEK -29 million , SEK from -94 million last year. EBITDA, including any items affecting comparability, improved to SEK +40 million , from SEK -6 million last year.

There were no reported items affecting the comparability this quarter, as compared to minus SEK 19 million in the second quarter last year. As a result of all that, the reported EBITDA margin increased from negative 0.7% to positive 4.6%. Let's turn to the next slide then for a closer look at the group's balance sheet. Worth highlighting on the balance sheet is the increase of intangible assets by roughly SEK 85 million , which is primarily due to currency exchange effects on the US dollar-denominated assets. Other than that, non-current financial assets increased by SEK 6 million due to increased profit share from our, our Norwegian operations, and likewise, certain currency exchange effects on certain tax receivables, in particular in the U.S. and in Mexico.

Total assets amounted to SEK 4.1 billion, and the equity to asset ratio heavily improved to 52% as compared to 44% at the end of the second quarter last year. Non-current liabilities decreased by SEK 50 million, as have been reclassified as current, and those SEK 50 million relate to the overall SEK 200 million bank term loan that is to be repaid until the end of June 2024, and therefore considered as a current liability now. The total bank debt includes this SEK 200 million bank term loan and an additional SEK 850 million revolving credit facility, of which SEK 700 million is utilized and SEK 150 million can still be drawn. The total available liquidity at the end of the quarter was SEK 681 million.

Turning to the next slide and our cash flows, we see the positive effects from our strategic delivery and cost reduction that resulted in continued solid profitability and cash flow improvements. As mentioned earlier, the reported EBITDA increased to SEK 40 million and the operating profit to minus SEK 18 million. Adjustments for non-cash items in the cash flow statements are primarily driven by the depreciation and amortization, currency exchange gains, and they are mostly with regards to the US dollar, and also certain changes in provisions. The cash flow from operating activities totaled SEK 36 million, as compared to SEK -64 million last year in the second quarter. Cash flow from investing activities was SEK -52 million, and that reflects our continuous investments into the product and technology, and in particular, also into content.

Finally, cash flow from financing activities was SEK -10 million in comparison to SEK +140 million last year. That positive cash flow from last year in financing activities was due to a SEK 150 million drawdown of the bank revolving credit facility. All in all, total group cash flow for the period was SEK -26 million. Cash and cash equivalents at the end of the period were at SEK 531 million, and as mentioned just previously, with the remaining and non-utilized SEK 150 million of the bank revolving credit facility, the total available liquidity at the end of the period was SEK 681 million. Let's turn to my final slide and operational cash flow.

The operational cash flow is defined as EBITDA, excluding any items affecting comparability, minus operational capital expenditures, and was SEK 5 million, as compared to a SEK -49 million in second quarter of last year. The group continues to invest into product and tech and in content, and the operational cash flow sequentially improved versus the first quarter. Overall, in the past four quarters, we have seen a very positive development for which we stand firm to our target of break-even or better operational cash flow for the entire year, 2023. With that, I hand back to you, Johannes.

Johannes Larcher
CEO, Storytel

Thank you, Peter. The second quarter was a very solid quarter for Storytel and demonstrates that the direction we have set for the company is sound, and that the steps we are taking in managing our business day to day are moving us in the right direction. For the remainder of this year, our focus is on four key priorities: One, offer great content to our listeners and readers with improved content economics in our streaming business. Two, significantly improve how we take our streaming service to market. Three, focus our efforts and investments on our 10 core countries in a smart way that localizes our strategy according to the situation on the ground in each country we serve. Four, complete the transformation of our company into a more efficient organization with the right people and the right culture in place.

We are committed to carefully balance continued and increasing levels of EBITDA profitability with growth of revenue. With five consecutive quarters of EBITDA profitability now under our belts and solid top-line growth, we are encouraged by the steadfast progress we are making in our profitable growth strategy. We remain vigilant as to any external and internal challenges that may arise and could require updates to our strategy and operations. Beyond 2023, we communicated our medium-term growth plan at our recent Capital Markets Day in June. Let's briefly review some of the key elements of our 2023 - 2026 strategy. Storytel has a very strong starting point. What you see here is the local EBITDA margin for 2022 in, from left to right, our growth and expansion streaming markets, our books business, and in our Nordics and U.S. streaming markets.

Local EBITDA margin excludes product, tech, and certain central overhead costs. Our two largest areas, the Nordics and the U.S., which make up a significant majority of the group's business, are already delivering very strong revenue and profitability. The areas of growth and expansion are markets where we have only relatively recently established ourselves and have not yet reached the scale required to be profitable on an EBITDA basis. While books is a relatively small part of our overall revenue, it has a solid EBITDA margin. Building on that strong starting point, we have set the following medium-term financial goals for 2026. We believe we can reach over SEK 5 billion in group, in group revenue by 2026, driven by a 15% streaming revenue CAGR. We also believe that we can deliver a 12% EBITDA margin or better by 2026.

We aim for CapEx of approximately 5% of group revenue, and that our operations will generate strong cash flow. We are confident that our plan can be delivered on the basis of strong cash generation and within the framework of our existing capital structure. We have segmented the strategy that will get us from the starting point to these 2026 targets into three categories: content, go-to-market, and company. Our strategies and actions within these three categories will enable us to deliver profitable growth quarter after quarter on an organic basis, while we remain open-minded about strategic opportunities. In content, we aim to offer our customers a world-class selection of great content every time they open our app, including audio stories that are exclusive and can only be found at Storytel.

This can only be achieved if, in our content business, we manage to become a preferred partner that attracts and retains the world's best storytellers. Additionally, we are aiming to achieve more favorable content cost economics over time that lower our cost of content as a percent of our revenue. We have plentiful opportunities to improve the way we take our product to market. We have begun unlocking significant marketing efficiencies, are in the process of localizing our commercial model and approach to tactical execution market by market, and are taking additional steps, including recently announced innovations in text-to-voice AI, to provide our customers and content creators with a world-class experience. As a company, we remain committed to operate a dual model and will operate both streaming and content businesses going forward.

As discussed earlier, we believe that the combination of publishing and streaming businesses under one roof creates unique value that is bigger than the sum of its parts, and we are succeeding in attracting executive and operational talent at the highest global caliber to the company, in good part, because we are building a strong and rewarding culture based on transparency and collaboration. Our commitment and excitement about the path we are on is grounded in part in a rich set of opportunities to drive growth and increase profitability that are available to us. To drive growth, we see four major levers. One, we operate in a fast-growing market, and as market leader with a strong set of experiences in both content and distribution, we are well positioned to take advantage of that underlying market growth.

Two, we also believe that our increasingly differentiated content offer will contribute to strong growth of high-quality revenue that overindexes versus the market. Three, Storytel has significant opportunities to optimize the performance of our subscription funnel that will yield higher efficiency for every marketing SEK invested. Four, we see that a better-aligned mix of products, optimized pricing, and smarter promotions can unlock meaningful growth. In terms of profitability, we also see multiple levers to improve on the status quo. One, by further reducing churn, improving ARPU, and more efficiently managing subscriber acquisition costs, we will improve our LTV/SAC ratio. Two, we have identified clear steps to improve content economics, thus lowering our COGS as a % of revenue ratio. Three, we are going to be focused on efficiency with regards to other operating and overhead costs.

We see additional leverage available to us in this area as we grow revenue much faster than costs. We look at 2026, then, you can see from the movement and size of the circles versus their starting point in 2022, that we achieve growth with increased profitability going forward. The Nordics and the U.S. become even bigger and even more profitable, so do our markets under growth and expansion, driven by strong performance in the Netherlands, Poland, Bulgaria, and Turkey. Books will deliver growth with increased profitability, even if the growth here is more modest than in our streaming business. Today's call covers our results for the second quarter, the beginning of Q3 has built on the positive momentum we've achieved in the first half of 2023. We see that demand for spoken word audio stories remains strong and is getting stronger.

We also continue to weather the challenges consumers face as a result of recession, inflation, and other macro pressures. Our churn levels remain low and continue to trend in a positive direction despite recent price increases. My team is making step-by-step progress, unlocking further efficiencies in content, marketing, and operational overhead. With my senior leadership team now almost complete, we have reorganized the company and are operating at a higher level of effectiveness than ever before. July also saw the announcement of an additional partnership with a leading telco, this time in Denmark, where we are launching a relationship with Telenor's CBB. Last but not least, the new Voice Switcher feature was launched on July 24th across all Storytel markets. It is currently available on five selected books in the English language, and I invite you to check it out for yourself and let us know what you think.

We are reiterating our guidance for 2023 as per the previously communicated near-term targets. Organic streaming revenue growth will be in line or better than 2022, which delivered 11%. Our 2023 first half growth rate is 11%, and Q2, as just reported, is 15%. We are optimistic for the second half of the year's development of our streaming revenue growth. Our full year EBITDA margin for 2023 will be better than last year. As a reminder, full 2022 EBITDA margin was 2.9%. For Q1 2023, EBITDA margin was 3.8%, and Q2 2023, as we just reported, was 4.6%. We believe this positive trend line can carry over into the second half of 2023.

We are committed to deliver break-even or better operational cash flow for the year, and we will deliver these results within the framework of our existing capital structure. I'd like to wrap up today's presentation with some personal thoughts about Storytel and explain why I and others on my management team have recently invested meaningful personal funds into the company. I believe that Storytel is poised for significant growth and success over the next few years. We operate in a market that is experiencing rapid growth. We are a leader in that market and have proven that we can build a profitable business in the market when we achieve scale. We have shown that we can replicate our success outside our Nordic home market. We offer a unique combination of content and streaming businesses and are starting to demonstrate how exactly these two businesses can elevate each other.

By going beyond our traditional core of audiobooks and expanding into audio stories, we are putting ourselves into a strong position to address a larger customer base over time. Our financial profile is attractive, featuring a strong balance sheet and self-sufficient cash generation. Lastly, we are assembling a world-class team that can deliver this plan. With that, we're gonna wrap and we're gonna open up for the Q&A. Thank you very much.

Operator

If you wish to ask a question, please dial star five on your telephone keypad to enter the queue. If you wish to withdraw your question, please dial star five again on your telephone keypad. The next question comes from Joachim Gunell from DNB Markets. Please go ahead.

Joachim Gunell
Equity Research Analyst, DNB Markets

Good morning. Starting off just with the, the impressive ARPU growth year-over-year, could, could you just help, us break down the contribution from, from pricing, product, and, and market mix here in especially the, the Nordics and, and the durability of that? Thank you.

Johannes Larcher
CEO, Storytel

I'll start with a quick comment, and then Peter may, may add on top of that. Yeah, we are very pleased with how ARPU has developed across the group, for the second quarter of 2023. We went from SEK 116 in 2022 to SEK 130 average in 2023. The growth is across regions, by the way, across segments, I should say. In the Nordics, we grew from SEK 145 -SEK 162 , but also in the non-Nordics, we grew from SEK 82-SEK 91 . This is very positive. As I mentioned, we did change our pricing tiering, and product lineup in the Nordics, throughout the course of Q1 and Q2.

We were very careful in doing so and managed very carefully against migration, negative effects from migration to lower-cost plans, and we're keeping a close eye on churn as well. Despite that, we've seen basically flat subscriber numbers in the Nordics quarter-over-quarter, and we've seen ARPU increase significantly. We're very encouraged by the SEK 162 in the Nordics, which is an all-time high. Also outside the Nordics, we've also been able to grow ARPU. We, we think, though, that we are appropriately priced in the market for the service we offer today. I want to make sure you understand that these price increases are for now the last of their kind.

Certainly, we keep the door open to future adjustments, but for now, we think we are very well priced vis-à-vis the value proposition and competition in the market. Peter, do you want to add anything to the ARPU? Sorry.

Peter Messner
CFO, Storytel

I think there's hardly anything to add, Johannes. I think that was a very comprehensive and broken-down answer. I think I wanted to highlight exactly as you did, the very positive churn development that we continuously have. In that short term, since Q1 and the pricing changes, we haven't seen any, any other adverse effect on our pay base. That's a very positive development.

Joachim Gunell
Equity Research Analyst, DNB Markets

Great. Then perhaps on, on subscribers, and, yeah, both Nordics and non-Nordics, but perhaps in particular, non-Nordics. Would you say that it's fair to assume that Q4 is still, like, the main acceleration quarter, the way you envision the coming quarters play out, or with regards to easier comps attachment? Or do you believe that you've come to a place now where you can increasingly start to focus on increasing also the subscriber numbers outside of the Nordics?

Johannes Larcher
CEO, Storytel

Well, thank you very much for that question. What drives revenue is obviously a combination of subscriber growth and ARPU growth, and we just covered ARPU growth pretty comprehensively. Let's set the stage. If you look, if you look at our subscriber numbers, and you, you exclude Russia, which is, which was shut down last year, we have grown year-over-year from 2,031,000 - 2,055,000 average subscribers per quarter. Importantly, though, in the Nordics, we've grown over 4% year-over-year, which is strong growth. And then the non-Nordics, as a result of tightening our focus to the core markets and away from expansion markets, we've seen a slight decrease as expected. Overall, we are pleased with how subscribers have developed.

I wanna talk a little bit about the Nordics. It's very, very important to understand that the quarter-over-quarter essentially flat comment that is contained in the materials we shared today. This has to be seen in the context of the price increases we just conducted, so churn has not spiked, as Peter mentioned. We have retained subscribers very, very well. Two, we are focused on attracting the right kind of customers. We are after high LTV customers that will stay with us for extended periods of time. Unlike some of our competitors, we are not offering very extensive free trial periods. In some cases, you can get audiobook streaming services for 90 days for free. We are not playing this game.

We are focused on bringing in the right customers with high LTV that will stay with us for a very long time. I do see additional opportunity to accelerate subscriber growth in the Nordics and beyond. As I mentioned, the end of Q2 and the momentum we are seeing going into the summer season have actually been quite strong. As Oleh Nesterenko, our new Chief Marketing Officer, takes further steps to improve how we actually manage the acquisition funnel, I think we look forward to positive momentum of subscriber growth as well.

Joachim Gunell
Equity Research Analyst, DNB Markets

All right, and then just finally for Mark, could you just clarify here, if I understood you correctly, that SEK 200 million of the of the debt is due to be repaid by Q2 next year?

Peter Messner
CFO, Storytel

Yes, that's correct. The final SEK 50 million that were part of the non-current liabilities have been reclassified with this quarter, as they are due by the end of June next year as well. The idea is, based on the existing agreement, that the SEK 200 million would be repaid in four quarterly installments of SEK 50 million each, starting at the end of Q3. End of Q3, Q4, Q1, and by the end of Q2 next year, SEK 200 million would be repaid of that.

Joachim Gunell
Equity Research Analyst, DNB Markets

Very clear. Just adding to, to that, with regards to the long-term part of the debt, is it fair to assume that similar quarterly installments should be expected going forward from that point as well?

Peter Messner
CFO, Storytel

It's a bit premature to conclude on that. Not based on the current agreement that we have. The expiry of that revolving credit facility is in the fourth quarter next year. We already started to initiate these discussions in order to come up with, what we then will, will deem a hopefully a favorable refinancing scenario for ourselves. Then we will have to see where we end up in that, but that is still open.

Joachim Gunell
Equity Research Analyst, DNB Markets

Great. Thank you very much, both, and have a good summer.

Johannes Larcher
CEO, Storytel

Thank you.

Peter Messner
CFO, Storytel

Thank you, likewise.

Operator

The next question comes from Derek Laliberté, from ABG Sundal Collier. Please go ahead.

Derek Laliberté
Equity Research Analyst, ABG Sundal Collier

Thank you, and, and good morning. I wanted to follow up on, on the Nordics and, and, and the ARPU here, where we saw this, great increase here. I mean, would you say following the, the, the new tiers and, and, price increases that, that this effect is now, now fully, fully included, and that we should expect more of a flattish ARPU for, for the remaining quarters of the year, barring any major effects, effects or, or similar?

Johannes Larcher
CEO, Storytel

Thank you, Derek. Good to hear you. look, some of those changes to our pricing and tiers were implemented as late as early Q2, so this is not a full quarter yet reflecting the entirety of the impact of these changes, so I'd be a little bit cautious. look, we are very buoyed by the ARPU increases that we've enjoyed. I, I would say we should give it some time and observe how this develops in the next quarter. Probably it's fair to say that such a rapid acceleration of ARPU is unlikely to be repeated, which has experienced in Q2, is unlikely to be repeated in Q3.

Derek Laliberté
Equity Research Analyst, ABG Sundal Collier

Perfect. Okay, thanks for that, the clarity there. Then, then, you talked about this already somewhat, but, obviously we've had this, major sort of promotions in, in the markets, here, or at least locally in, Sweden, by, by your competitors, and you've participated to, to some extent, as well. How would you say if we sort of summarize these promotions, how, how has it affected your, your performance in, in the quarter, and, and, how have you, come out of it now, now on the other side?

Johannes Larcher
CEO, Storytel

Well, I will say that competition in the Nordics is very, very intense. It's a rapidly growing market, that is starting to be well penetrated. You know, a market like that will attract competitors. You know, we, we, we continue to believe that imitation is a sincere form of flattery. Now, with regards to, to what's happening there, if you are competing in a world where 90% of your product looks the same as that of your competitors, and you are priced in similar ways to your competitors, it's very hard to actually compete effectively over time. As you would have seen at the Capital Markets Day, our long-term strategy is, is to have a highly differentiated product and service that stands apart and is unique and, positioned in a superior way versus our competitors.

I think that is the long-term answer. In the short term, we see lots of low-value subscribers signing up with our subscribers and with our competitors, and that, to an extent, makes us smile a little bit. We are happy to bring the high-quality subscribers with high LTV to Storytel, and we continue to do that. As I mentioned, this is the momentum on subscriber acquisition is actually quite positive right now. Look, it's a tough environment. Differentiation is the key to the game to win in the long term. And I think it's important to also stress that these quite unhealthy 90-day, et cetera, free trial periods. They, they're not really good for the authors either.

It creates a perception that a service like Storytel should be enjoyed for free, and that you can just hop from one provider to the next. I don't think that helps authors and publishers create and earn the real value for their work. It kind of diminishes and devalues the overall content and the service. We are not participating in that. We're trying to steer away from that, but long term, the key to success is a differentiated product with differentiated content.

Derek Laliberté
Equity Research Analyst, ABG Sundal Collier

Sounds great, and certainly makes, makes a lot of sense. I'd also like to ask a sort of a technical question here on the CapEx. How would you say the CapEx split should look going forward, based on your guidance, I guess primarily between tech investments and content investments? Perhaps also, if you could remind us what part of CapEx is operational and what is non- considered non-operational? Thank you.

Peter Messner
CFO, Storytel

I'll start with the latter part of that question. The majority of the capital expenditures is operational, as we show in the operational cash flow. There, there has been, and there's more a fluctuation, obviously, when it comes to the non-operational items. Those would refer or relate, for instance, to the acquisition of certain IP rights, or as also happened now in the second quarter, an increase in share ownership, maybe in some of the assets that we own. The vast majority of the CapEx is operational in that respect. How is that going to look forward? The huge part of that then is in relation to what we really offer as a service, which is the content, actually. The audiobook production is nevertheless the bigger part of that capitalization.

There will still be, going forward, the, the technology and, and the product and the user experience investments, of course, that we are doing. It's a little bit difficult now to predict how this is going to change because there are lots of parameters that we would have to take into consideration. What we definitely will, will have a closer look at and, and try to, to optimize a little bit with the increased data usage that we of course already have in the company, is to make better predictions of where to produce the right content and therefore to capitalize on those productions. That's, that's a predictive question that will take maybe a little bit more time, but, but that's the, the way how I would take a look forward on exactly that capitalization.

For the time being, you probably can, can use a, a run rate, for your own purposes to see where we have been.

Derek Laliberté
Equity Research Analyst, ABG Sundal Collier

That's very helpful. Thank you. May I also ask here on the subscriber increase that you saw in the non-Nordics, I mean, is there any meaningful partnerships component there, or is that sort of yet to come?

Johannes Larcher
CEO, Storytel

Well, thank you for that question. The non-Nordics are, you know, are developing quite well. I would, I would say that we are especially encouraged by the growth in our four growth markets that I mentioned on the call as well, the Netherlands, Poland, Bulgaria, and Turkey. There's a lot of organic growth going on, and we are making some changes in our product mix. For example, we launched an annual plan in Turkey, which is doing very, very well in a very high inflationary environment. That is a welcome addition to our lineup, both for the consumers as ourselves. Organic growth in non-Nordics is strong. We are seeing some good momentum on partnerships. We launched with A1 in Bulgaria this quarter, and that has started to contribute meaningfully.

The pipeline for additional partnership deals is quite full. I hope that we can communicate some exciting developments on that front in the next few weeks, actually. Stay tuned, but partnerships are starting to play a more significant role in our overall growth in the outside the Nordic markets.

Derek Laliberté
Equity Research Analyst, ABG Sundal Collier

Okay, sounds promising. Just finally on you mentioned some changes here to the digital business of the book segment. I mean, is this mainly related to Nextory here, or are there any other effects as well?

Johannes Larcher
CEO, Storytel

Yeah, what we mentioned. Thank you. Good question. What we mentioned on the call was that we saw a slight revenue decrease that was expected in our books business year-over-year. That is driven by a few things, and some of it has to do with inventory write-ups. There is the, there is Nextory revenue that is not being reflected this year as a result of the discontinuation of that distribution relationship. That was a driver of that. The third factor was simply softness in physical sales in the second quarter of books in bookstores in the Nordic markets. I think that answers your question. Peter, did you want to add anything on that?

Peter Messner
CFO, Storytel

No.

Johannes Larcher
CEO, Storytel

With regards to internal sales, perhaps?

Peter Messner
CFO, Storytel

Yes, exactly. It's, it's worth to mention that when you take a look at our books segment from an external reporting perspective, that is only summarizing and showing what the books segment is selling to the outside publishers. Everything that we are selling within our group is an, is an intercompany relationship, but there we see that our internal sales have drastically increased, which is a reflection of the usage of the content that we own by ourselves with the publishers that are part of the Storytel Group. We mentioned on the slides that these internal revenues on a year-over-year comparison have increased by 36%, so that's an extremely positive development in terms of those digital sales inside of the group on our own content.

Derek Laliberté
Equity Research Analyst, ABG Sundal Collier

Okay, great. Thanks for that. Those were all my questions.

Johannes Larcher
CEO, Storytel

Thank you, Derek.

Operator

The next question comes from Stefan Wård, from Pareto Securities. Please go ahead.

Stefan Wård
Head of Research, Pareto Securities

Hello. I have a question regarding the comments you mentioned on the EBITDA development. It's clearly satisfying to see that you're improving the margin the way you do in Q1 and Q2. If this continues, it looks like you will end up the year somewhere between 5%-6%. Is that a correct interpretation of your comments for the 1/2 ?

Johannes Larcher
CEO, Storytel

We have not gone out with a new guidance on where we would end up in the year. I, I think we would refer to what we have said previously, that our margin will continuously, progressively improve. We will not stick to certain numbers now to guide the market.

Stefan Wård
Head of Research, Pareto Securities

Okay. I just assume that myself, that we will end up there somewhere. My next, my follow-on question is, the development until the target of at least 12% in 2026. Looking at the slide, where you have key drivers for sustainable, profitable growth, is that... It gives the impression that that will be sort of a linear improvement, like stepwise, you know, say two percentage points per annum. Is that a decent assumption, do you think, for?

Johannes Larcher
CEO, Storytel

Mm.

Stefan Wård
Head of Research, Pareto Securities

Uh, for 24-20 ?

Johannes Larcher
CEO, Storytel

I, I, I think the business of assumptions is a very risky one that you make at your own, at your own risk, Stefan. I, I would not assume that we are predicting linearity between 2023 and 2026. When we talk about the 15% cumulative average growth rate of our streaming revenue between 2023 and 2026, that is an average. You will see, you will see some developments that are higher, more quarters that are higher than that, and some quarters that possibly will be lower than that. I don't wanna get us pinned down onto specific trend lines that we're not changing the guidance at this point. We're sticking to what we said previously. No, no real update on that front either.

Stefan Wård
Head of Research, Pareto Securities

All right. Thanks. On if, if you can give some indicators on how, how the cash flow development will look for the second half. Looking at history, the seasonality has been sort of somewhat in favor of, of improving cash flow for the second half. Is that something that we can expect for, for this year as well?

Johannes Larcher
CEO, Storytel

Yes, indicatively, you should expect that as you also see that the operational cash flow year to date has still been slightly negative on the last line. Turning that into the break-even target that we have, that is exactly what you should expect.

Stefan Wård
Head of Research, Pareto Securities

Mm-hmm. Okay, thanks for clarity on that. If you could give some details on the development in Poland and, and Netherlands, that would be highly appreciated from my side. Any sort of additional details on, on the performance in these two key markets would be, would be great. Thanks.

Johannes Larcher
CEO, Storytel

As, as much as I would like to, Stefan, we don't really break out for many, many different reasons, the performance of individual markets within our non-Nordic streaming segment at this point. What I can tell you is, again, that the, the, the four growth markets that I mentioned, Poland, Netherlands, Turkey, Bulgaria, all experienced significant positive development in Q3 in terms of subscriber growth, in terms of ARPU, in terms of customer engagement, churn development. We are pleased on an aggregate, aggregate basis on how these markets have performed. I think in, you know, in, in the Netherlands, we are in a very strong position and are one of... Well, we are, we are the largest provider of audiobook streaming services in the Netherlands. It's a, it's an attractive market.

I think there, the big question is, going forward, how will penetration of audiobook streaming vis-a-vis the overall population develop? It is relatively low in terms of penetration compared to the Nordics market, where markets, where we stand about 10%. In markets like the Netherlands, we stand about 3% or thereabouts. There is a, there is a ways to go in terms of penetration, but overall, very positive. In Poland, the situation is a little different in that we are not the leading or largest provider of audiobook streaming services at this point. We've made a lot of progress. We are optimistic about the market. We've seen some good developments, again, ARPU, engagement, churn numbers, but it's a different competitive environment and quite tough, actually.

That's about as much as I can say about these two particular markets, but again, we remain very buoyed and optimistic that these four growth markets for us will continue to see positive developments going forward.

Stefan Wård
Head of Research, Pareto Securities

Thank you, Johannes. If you're satisfied with all the, the current international markets and at the CMD, you mentioned that you have in the pipeline or, you know, without being specific on timing, you have plans to enter maybe 3-5, if I remember correctly, new strategic growth markets. Can you give any idea or update on timing of these new markets?

Johannes Larcher
CEO, Storytel

We have been continuing our work to identify the prioritization of these markets. We have a pretty good idea which are the ones that we are focused on and going after. We are also making some operational changes to some of our previous expansion markets, where we are decelerating and reducing investment to virtually, virtually nothing in terms of content investment, marketing investment, personnel investment. In terms of the ones we focus on going forward, I'm not yet in a position to tell you which ones these are. We are making progress with our plans for a small number of countries, where we will in a very disciplined manner, start experimenting and investing again.

I think it's fair to say that by the end of the year, we'll be able to provide more clarity on which those are and how we're going about that.

Stefan Wård
Head of Research, Pareto Securities

Okay. Thank you very much. That's all from me. Thanks a lot.

Johannes Larcher
CEO, Storytel

Thank you, Stefan.

Peter Messner
CFO, Storytel

Thank you.

Operator

There are no more questions at this time. I hand the conference back to the speakers for any written questions.

Peter Messner
CFO, Storytel

Yeah, maybe we, we have one digital question in the webcast in relation to a licensing agreement for Nextory, and any impact that we would have seen in Q2 numbers. I think we talked about that before. In the books segment, publishing segment, yes, that of course had an impact. If there are no revenues this quarter in comparison to the revenues in the previous quarter, there is no new agreement in place as of now. Then we have an additional question in relation to acquiring further publishing houses in our key international markets, as we have done in the Nordics. Is that something that we would intend? I think I will hand over to Johannes for that question.

Johannes Larcher
CEO, Storytel

Yeah, thank you for those questions. Appreciate them. Look, we are firm believers that owning, both publishing and streaming businesses makes a lot of sense, and that they can elevate each other, as we stressed at Capital Markets Day and again today. We are very pleased to be the owners of some of the leading Nordic publishing houses, including Norstedts, Gummerus, Lind & Co, and others. Would we potentially extend that into some of our other markets? The answer is yes, potentially, we may be interested in doing that. It, it does make sense from a strategic and competitive standpoint to consider doing so. Do we have anything to share on that front today? No, we do not, but we are certainly open-minded about this opportunity as one of the non-organic, levers for growth.

I think this was the final question we saw. We really appreciate everyone's interest. We wish everyone a good rest of the summer, and we look forward to speak to you again for our third quarter results in the fall. Thank you.

Peter Messner
CFO, Storytel

Thank you very much.

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